Are You Before?

Various Artists ‎– Mutazione (Italian Electronic & New Wave Underground 1980-1988): New Wave, Industrial, Darkwave, Minimal, Synth-pop, Experimental. Compiled by Alessio Natalizia. (2013, Strut Records, UK)

Bella Italia gone brutta. At the end of the 1970s young Italian amateur futurists got sick of untouchable sophisto singer-songwriters (and their acoustic guitars), prog virtuosos & Italian canzona in general. Often they would choose alien language (= English) to distance themselves from Italian pop & rock music. As a result electronic buzz of minimal synths coupled with minimal knowledge of English, recorded in the bedrooms and makeshift studios around the country (still in political turmoil), worked out quite well.

Here is Synth-pop/Minimal Synth segment of this excellent VA collection. Sequenced in chronological order. What did you think? I miss sensation of linear time flow. A simple slow moving timeline. It doesn’t matter that it used to lead nowhere anyhow. Speed kills! And postmodernist postindustrial concept of life (and time) is ruining me. Is this post about nostalgia canaglia?

CD 1 (1980 -85) sinister or eerie

Neon – Informations of Death (1980)
0010110000010011 (Cancer) – Naonian Style (1981)
Die Form – Are You Before (1982)
Carmody – Vulcani (1982)
Winter Light – Kill Myself 2 (1982)
La 1919 – Senza tregua (1985)
Giovanotti mondani meccanici – Back and Forth (1985)

CD 2 (1982 – 85) slightly relaxed, but not really

Atrox – Against the Odds (1982)
Pale TV – The Livid Triptych (1982)
Kirlian Camera – Edges (1983)
Le Maison – Critical Situation (1983)
Doris Norton – Norton Apple Software (1984)
La bambola del Dr Caligari – Deep Skanner (1986)
Suicide Dada – Waiting For September (1986)

Recommendation: Listen to these songs in the dark, with your headphones on (earbuds in).

And buy double CD or double LP if you can afford it.

Ciao.

Orizzonti perduti

Din-don!! Radio Bella Italia.

Gli anni ottanta. Pop. SYNTH pop. Reminiscent of all those glorious Eurovisions that failed, one after the other. Europa disunited!

Franco Battiato aka il Maestro

Franco Battiato – fedele all’anima. Musica melodica Italiana (Siciliana) – synth-pop filobritannico [1983-88].

Il risveglio della primavera è fuori. Let’s forget Declino and Negazione for a couple of days.

It’s a long and wonderful trans-Apennine pathway from “Foetus” to “Fisiognomica”.

Here is profound and wacky pop (aspect of it) to lift you up along the way.

1983
Un’altra vita
Gente in progresso
La stagione dell’amore
1985
Via lattea
Personal Computer
I treni di Tozeur (album version, without Alice)
1988
Nomadi (originally by Juri Camisasca for Alice)
Fisiognomica
E ti vengo a cercare

Memorie di una testa tagliata

Il Consorzio Suonatori Indipendenti (o C.S.I.) è stato un gruppo musicale italiano nato dalle ceneri dei CCCP-Fedeli alla linea.

Dopo la fine dei CCCP (1990), con la caduta del muro di Berlino, quel che rimaneva dei CCCP originali (Giovanni Lindo Ferretti e Massimo Zamboni, il “nucleo emiliano”) si incontra con il “nucleo toscano” in uscita dai Litfiba, composto da Gianni Maroccolo e Francesco Magnelli, che già avevano collaborato all’ultimo album dei CCCP-Fedeli alla linea, Epica Etica Etnica Pathos, insieme al loro tecnico del suono, Giorgio Canali.

Ko de mondo (1994)
Memorie di una testa tagliata
Del mondo
Intimisto

Chi è che sa di che siamo capaci tutti
Vanificato il limite oramai
Vanificato il limite
Si avvicina l’inverno
Soffice crepitio sulla terra
Pomeriggio dolce assolato terso
Sotto un cielo slavo del Sud
Slavo cielo del Sud non senza grazia

I can’t wait to hear “Linea Gotica” (1996).

(I can. I am a patient boy.)

Stanze

Winter in Italia, again. It’s raining outside. I’ve derailed my back-and-forth racing thoughts at one stop in Bologna for this occasion. As any decade, the ’90s got its pluses and minuses. I simply like music from that period and rarely revisit. Been there, heard some of that exciting music in real time. Not Massimo Volume though. Massimo Volume are perhaps one of those Italian bands that finally caught the vibe of the times and even set themselves ahead on global level, in a noise-rock/art rock/post-rock niche. If Italians were really lagging behind to certain extent in the late ’70s and early ’80s (excepting Italodisco and maybe hardcore punk), with Massimo Volume we find them in the lead. Giusto?

Massimo Volume 1993

Stanze 1993
Stanze
Ronald, Tomas e io
Stanze vuote

bandcamp: Massimo Volume

La buona novella

Bella Italia. Natale ’70.

Lato 1

A1 – Laudate dominum
A2 – L’infanzia di Maria
A3 – Il ritorno di Giuseppe
A4 – Il sogno di Maria
A5 – Ave Maria

(Side B is reserved for April.)

Two thousand years later…

Francesco De Gregori – Natale (1978)
Francesco De Gregori – Gesù bambino (1979)

Sretan Božić. Merry Christmas! Buon Natale.

Bello e impossibile

Bello e impossibile: Gianna Nannini & Konrad Plank

The year 1982 saw the release of album “Latin Lover”, a bizarre mischung of art-rock and synth-pop, produced by esteemed Tonmeister Konrad Conny Plank. With the next album – Puzzle (1984) – Nannini smash hits started to get heavy rotation on Central European radio waves.

LATIN LOVER (1982)
Latin Lover
Fumetto
Amore amore
Wagon-lits
PUZZLE (1984)
Ciao
Kolossal
Fotoromanza
Se vai via
PROFUMO (1986)
Bello e impossibile
Profumo
Gelosia
Terra straniera

E mi sveglio qui
In un giorno ad est
Tra questa nebbia di provincia…

Konrad Conny Plank